Thursday, January 12, 2012

"Don't ask why my strange heart loves you"

























Don’t ask why my strange heart loves you.
Do you know how corals are formed at the bottom of the ocean?
Waves are talking about a sleeping beauty
but you live far away from the waves’ voice.
Your thought is a steep cave
against which my life is crashing in vain.

From "Don't Ask Again" by Vesna Parun


Hermaphroditus and the Nymph Salmacis, Bartholomeus Spranger, c.1580

The story of Hermaphroditus and Salmacis (from Book IV of Metamorphoses, trans. by A.S. Kline) is here.

Monday, January 9, 2012

A rambling post, beginning with perfume and moving on to a vessel of the devil

























A few friends have mentioned that they miss the perfume posts here. I'm glad to know that people have enjoyed my perfume writing, but I'm afraid I won't be returning to it anytime soon. (I will, however, go on writing about interesting projects that touch on the subject of perfume, such as this and this.) For the record, I still love perfume. I still wear it and buy it, although I do a lot less buying lately. There was a time when I could afford to be both a bibliophile and a perfume freak. Now the budget only allows one expensive addiction, and between books and perfume there’s really no contest. My days of dropping $100 for a little bottle of scent are over.

That sounds a little sad. It isn't. Life changes (mine sure has), and flowing with the changes is part of the pleasure of living. Being poorer doesn't bother me, and it’s not really the reason I’ve stopped blogging about perfume. I’ve still got a large collection worth writing about, and I could always swap samples if I wanted to review new things. The truth is that I just don’t want to think about perfume anymore. I still thoroughly enjoy the stuff, but my cerebral engagement with it has almost disappeared. I now love perfume in the instinctive, easily satisfied way that I did as a kid, when I first started raiding the pretty bottles on my mother’s dresser: Spritz. Happiness. Done.

The perfume obsession is not the only fancy that has fallen away over the past couple of years. I used to love to cook and collect recipes, but these days scrambling an egg constitutes a major culinary effort. My cookbooks all have a thick coating of dust and I happily subsist on yogurt and almonds for weeks at a time. I was a pretty serious amateur herbalist for years, with a large collection of exotic herbs, homemade tinctures and the like. Since my divorce, I have – with frightening ease, it seems to me – forgotten most everything I used to know about damiana and he shou wu. A couple of months ago, I finally just said the hell with it and put all my herbs and the attendant paraphernalia in the trash. Birding has also gone by the wayside. I used to maintain a half dozen bird feeders year-round, monitoring the visitors and keeping a journal about their comings and goings. I still feed the hummingbirds, but the rest are on their own and it’s rare for me to spend any time observing the avian population in my yard.

I’ve been getting rid of material things, too. Keepsakes, clothes, furniture -- all kinds of items I acquired and kept for reasons I can't now fathom are leaving my life, one carload or garbage bin at a time. I aim to keep paring away until my house is empty of everything I don’t need or genuinely cherish. Unloading my too-large house is probably not an option anytime soon, but I plan to sell it the second I can get a decent price. In the future, home is going to be someplace small, and I hope to spend plenty of time far away from it.

The idea of a wandering, unencumbered life has always appealed to me. Most of my childhood fantasies revolved around achieving — alone — some exalted state of freedom or knowledge. In my dreams I found secret passages to magical places, befriended spirits in the woods, became a bird or a wild horse. Some remnant of those dreams still lurks in me. It fuels my desire to write, and it keeps my mind turning on certain myths and stories – especially, for more than a year now, the story of Mary of Egypt.

Everything about Mary’s life, particularly Sophronius’s version of it, fascinates me. Strip away the expressly Christian trappings (please), and the life of Mary of Egypt is a myth about the dualities that define human existence – body and spirit, feminine and masculine. It’s also a story about death and loss, and the struggle to find some meaning to life as death approaches. But apart from all those grand themes, it’s a tale about a remarkable woman who pursued the life she desired, first as a "vessel of the devil,” and then as a desert hermit. I admire her, and I feel a certain sisterhood. Lately, my 22-year marriage seems more and more like Mary’s long career as a harlot: a false life from which I’ve been delivered. I won’t be following her path as an ascetic. I’m a pleasure-loving animal to the marrow of my bones and that will never change.  But to walk, as Mary did,  out into the unknown, abandoning myself to the mere possibility of  wisdom, seems like a good way to pass the time until I finally rest on the riverbank.



Saint Mary of Egypt, José de Ribera, 1691

Friday, January 6, 2012

"No, soul doesn't leave the body."

























Disappearing Act
by Eleanor Ross Taylor

No, soul doesn't leave the body.

My body is leaving my soul.
Tired of turning fried chicken and
coffee to muscle and excrement,
tried of secreting tears, wiping them,
tired of opening eyes on another day,
tired especially of that fleshy heart,
pumping, pumping. More,
that brain spinning nightmares.
Body prepares:
disconnect, unplug, erase.

But here, I think, a smallish altercation
arises.
Soul seems to shake its fist.
Wants brain? Claims dreams and nightmares?
Maintains a codicil bequeathes it shares?

There'll be a fight. A deadly struggle.
We know, of course, who'll win. . . .

But who's this, watching?



*Eleanor Ross Taylor died Dec. 30, 2011 at the age of 91. Chapter 16 has posted a tribute to her, with remembrances from Mark Jarman, Claudia Emerson, and others.

Profile of an Old Woman, Gustav Klimt (1862–1918)

Tuesday, January 3, 2012

"foredefeated challengers of oblivion"

























Stone-cutters fighting time with marble, you foredefeated
Challengers of oblivion
Eat cynical earnings, knowing rock splits, records fall down,
The square-limbed Roman letters
Scale in the thaws, wear in the rain. The poet as well
Builds his monument mockingly;
For man will be blotted out, the blithe earth die, the brave sun
Die blind and blacken to the heart:
Yet stones have stood for a thousand years, and pained thoughts found
The honey of peace in old poems.


"To The Stone-Cutters" by Robinson Jeffers


Ruine Heisterbach im Siebengebirge, Anton Schiffer (1811-1876)

Monday, January 2, 2012

"Beyond is a brightness I am not equal to"

























Beyond is a brightness
I am not equal to

Yet what I see
Turns into what I want

And to bring nothing but this body
To pass through

The one thing between
Myself and what I crave,

Almost done, the world a ruin
Of leaves, winter at the throat,

My song over and over until
So familiar I can do

What I am about to do



From "Bird at the Window" by Sophie Cabot Black. Read the complete poem here.

Song, Copyright ©2012 by Billy Renkl. Used with permission. All rights reserved.

Saturday, December 31, 2011

"You quiver like a sea-fish"

















Are you alive?
I touch you.
You quiver like a sea-fish.
I cover you with my net.
What are you—banded one?


"The Pool" by H.D. (1915)

Zwei auf dem Rücken liegende Akte, Gustave Klimt, c.1906

Friday, December 30, 2011

"Sky full of laurels and arrows"



















And I love you,
Sky full of laurels and arrows,
White shadow of cities where the scars
Of forgotten swans
Waken into feathers
And new leaves.



From "Moon" by James Wright. The complete poem is here.

Moonlit Night on the Dniepr, Archip Iwanowitsch Kuindshi, 1882

Tuesday, December 27, 2011

Be Drunk



Be Drunk
Charles Baudelaire

You have to be always drunk. That's all there is to it—it's the only way. So as not to feel the horrible burden of time that breaks your back and bends you to the earth, you have to be continually drunk.

But on what? Wine, poetry or virtue, as you wish. But be drunk.

And if sometimes, on the steps of a palace or the green grass of a ditch, in the mournful solitude of your room, you wake again, drunkenness already diminishing or gone, ask the wind, the wave, the star, the bird, the clock, everything that is flying, everything that is groaning, everything that is rolling, everything that is singing, everything that is speaking. . .ask what time it is and wind, wave, star, bird, clock will answer you: "It is time to be drunk! So as not to be the martyred slaves of time, be drunk, be continually drunk! On wine, on poetry or on virtue as you wish."


Translated by Louis Simpson, text via poets.org.


For more on the uses of drunkenness, read "Aristotle -- The Wisdom of Silenus." (Worth clicking over just for the clip of Nureyev dancing The Afternoon of a Faun.)

The lineage of Silenus can be found at theoi.com


The Misfortunes of Silenus, Piero di Cosimo, 1505-1510

Monday, December 26, 2011

Introductions, introduced














One of the things I love about this blog is that it gives me an opportunity to share the work of writers and artists I admire, including some you might not have heard about. Since I've spent a fair amount of time at workshops and writers'conferences over the past year, I've met a LOT of really talented people whose fine stories and poems have not yet found a big audience. I'd like to do my bit to remedy that, so I've decided to start regularly posting links to their work. If you like the stories you find below, do come back and post a comment so I can pass it along to the author. Happy reading.


Brandy Wilson teaches at the University of Memphis and she is currently at work on a novel. You can read one of her stories, "The Paris Times,"  at PANK Magazine.

Richard Alley is a freelance writer and journalist in Memphis. His story "Sea Change" appeared in Memphis Magazine last year, and you can read "Hav-A-Tampa," an excerpt from another story, at Glass Cases.

A.K. Benninghofen is a Mississippi native who now lives in beautiful Asheville, North Carolina. She and I met at the Sewanee Writers' Conference last year. You'll find a couple of her great stories at Evergreen Review and Necessary Fiction.



Reading the Story of Oenone, Frank Millett, 1882